Xibalba
The Image
"A kingdom is like a large house... where everyone lives together. As family." ~ The Chancellor’s Eulogy.Xibalba is a seemingly strange place of many mysteries and wonders. Its streets and halls that warp and twist in mind-bending manners, households and structures rotate, float, and merge, all of it made of black and white stones. They almost make it seem like a demented game of chess.
But if one treads with care, courage and a clear mind, he will find in the hearth of the district that it is in fact a place as odd as it is beautiful, and the more you sink inside the more the beauty becomes apparent. From majestic elven structures, to the streets, to the many facilities generously opened up for its citizens… one could call it a paradise for its people. For indeed, the joyous life of its citizens did not begin until Xibalba’s heart beat its first time, aided by the gentle ruling hand of the Queen and her loyal chancellor. And not a single resident denies the fact that this place was their blessing.
They are happy, truly peaceful and joyous, and their sole wish is to keep living in peace and happiness. And in its center, the tower of Sur Carys rises from the earth, and is built upon by the workers even to this day. Some even think that it will eventually reach the heavens.
The Reality
Xibalba is a realm of darkness and delusion. The original populace have been replaced by shadowy simulacra who ably imitate the motions of daily life. Their average and ordinary homes squat beneath looming half-finished walls of black and white stone, and behind them their true lifeless forms silently labor. Day and night they work to build the twisted abodes of an immortal aristocracy not yet in residence, all of them arranged in an incoherent pattern around a central point.
At night the spirits of the dead and damned haunt battlements dusty with the residue of fresh construction, footprints left behind the only sign of their passing. The wailing of banshees echoes through empty corridors, filling them with a song meant for no living soul. They await their new, pointy-eared masters to come and fill them.
The tower Sur Carys rises up from the center of the citadel, its ancient walls of basalt and marble presenting an elegant facade to the world in a display of classical elven architecture. Here the ruler of this place, the Black Queen Serana, oversees the construction process. It is only a matter of time before her siren call begins to pull those of her chosen master race to this place so they might take their place in glory as her subjects.
The Citizens
Shadows from an old world formed nests inside the former citizen’s skins. Now, they wear their faces and dance awaiting the new. These dark organisms are clusters from an alien energy source from another dimension, dark because their very nature is obfuscating, and they do not possess emotions or a will of their own. Since they lack a proper soul and their very essence is a void, or a negative, sensing them through supernatural means is difficult, and one should not be surprised to have one greet you from behind before you even noticed. They are basically guided by ancient magic into acting out as automatons, and act out just like the original humans would have, even replicating some of their memories. The truth is, the line between truth and fiction is blurred, and they genuinely act as if they were the real deal.
The Tower
Serana has always been nobility, and so even in death she rules all she surveys from above. Though her grand palace and sprawling capital city are lost to her, the central tower from which she ruled her terrible empire remains. It contains the lion’s share of Serana’s thousands of years of magical research, and is defended by magical barriers as strong as she can possibly make them. Only sustained artillery barrages can hope to crack its walls, and they lash out in return with dark curses equivalent to cannon fire. Finally, she may perceive around and within it, and cast her magic therein, without being physically present.
(Jointly written with Francobull3)